England World Cup Screenings at The Boileroom!

The World Cup is coming to The Boileroom - and we’re showing every England game live on the big screen.

Watch every moment with huge projected visuals, full PA sound, drinks deals, food specials, and a great atmosphere.

Pre-match music and drinks from our local house band, playing football classics and singalong favourites to get everyone ready before kick-off!

Reserve your space with £6.50 per person deposit - redeemable against a drink. Limited seating available for every game, so book early to avoid missing out. Contact eloise@theboileroom.net to reserve a group table after placing your deposit!

The Boileroom is a leave the ego at the door zone, expect the usual welcoming Boileroom crowd: alternative, LGBTQ+ friendly, and here for a good time and good football.

The March Violets are an English post-punk/gothic rock band formed in Leeds in 1981, known for their echo-drenched guitars, drum machine rhythms and dual male-female vocals that echo the early Leeds scene alongside their friends in The Sisters of Mercy who also released their music at the time.

They scored seven UK Indie Chart hits in the 1980s, including Snake Dance and Walk Into the Sun, and their single Turn to the Sky was featured in the film Some Kind of Wonderful before their 1987 split. Founding guitarist Tom Ashton later played live with Sisters of Mercy and toured with Clan of Xymox, linking them directly to the broader goth/post-punk network. Reuniting in 2010, they’ve released new albums, toured widely and remain influential in goth circles including most recently shows with The Mission.

England World Cup Screenings at The Boileroom!

The World Cup is coming to The Boileroom - and we’re showing every England game live on the big screen.

Watch every moment with huge projected visuals, full PA sound, drinks deals, food specials, and a great atmosphere.

Pre-match music and drinks from our local house band, playing football classics and singalong favourites to get everyone ready before kick-off!

Reserve your space with £6.50 per person deposit - redeemable against a drink. Limited seating available for every game, so book early to avoid missing out. Contact eloise@theboileroom.net to reserve a group table after placing your deposit!

The Boileroom is a leave the ego at the door zone, expect the usual welcoming Boileroom crowd: alternative, LGBTQ+ friendly, and here for a good time and good football.

Go Span Duran is the ultimate live tribute to 80s icons Go West, Spandau Ballet, and Duran Duran. Comprised of premier professional musicians, they deliver a high-energy, musically authentic journey through the decade. From "Gold" to "Rio," they recreate the hits with stunning accuracy - no gimmicks, just pure pop perfection.

Plump DJs are a pioneering DJ and production duo based in London since 1998, celebrated for their boundary-pushing approach to electronic music. Known for blending breakbeat, bass, and house influences, they have played a pivotal role in shaping the sound of modern dance music. Their signature style is defined by heavy grooves, rolling rhythms, and an unmistakable energy that continues to inspire DJs and producers worldwide.

Rising to prominence in the late ‘90s, Plump DJs quickly became synonymous with the UK breakbeat movement, releasing ground breaking records on the legendary Finger Lickin’ Records. Their debut album, A Plump Night Out, was a game-changer, establishing them as innovators in the genre. Subsequent albums, including Eargasm and Headthrash, showcased their evolving sound, seamlessly merging elements of funk, techno, and electro while maintaining their unmistakable groove-driven identity.

England World Cup Screenings at The Boileroom!

The World Cup is coming to The Boileroom - and we’re showing every England game live on the big screen.

Watch every moment with huge projected visuals, full PA sound, drinks deals, food specials, and a great atmosphere.

Pre-match music and drinks from our local house band, playing football classics and singalong favourites to get everyone ready before kick-off!

Reserve your space with £6.50 per person deposit - redeemable against a drink. Limited seating available for every game, so book early to avoid missing out. Contact eloise@theboileroom.net to reserve a group table after placing your deposit!

The Boileroom is a leave the ego at the door zone, expect the usual welcoming Boileroom crowd: alternative, LGBTQ+ friendly, and here for a good time and good football.

Walt Disco make emotionally rich electronic rock with scale, confidence, and intent. Fronted by Jocelyn Si (she/her) alongside Finlay McCarthy, Charlie Lock, Lewis Carmichael, and Jack Martin, the band channel big feeling through deeply personal songwriting that is direct, immersive, and fully formed.

Their sound blends electronic production with analogue synths and driving band dynamics, creating music that feels expansive without losing emotional focus. Walt Disco’s strength lies in clarity and purpose: the songs speak for themselves, meeting listeners head-on without leaning on nostalgia or comparison.

Following the acclaim of their debut album Unlearning, the band have continued to build momentum with a growing international audience. Recent tours supporting Orchestral Manoeuvres in the Dark across Europe and the US, alongside headline shows in North America, marked a clear step forward and affirmed Walt Disco as a band ready for bigger stages.

Now firmly in a building phase, Walt Disco are focused on developing their live show, releasing new material with intent, and expanding their world at a steady, confident pace. It’s a project defined by emotional honesty, ambition, and forward momentum. Walt Disco carve out a space that feels entirely their own.

Black Sabbath forged heavy metal’s blueprint in Birmingham in 1968, pairing Tony Iommi’s monolithic riffs with Geezer Butler’s ominous bass, Bill Ward’s thunderous drums, and Ozzy Osbourne’s eerie, wounded wail. Their lyrics explored war, madness, addiction, and the occult, turning dread into catharsis on classics like “Paranoid” and “War Pigs.” Ozzy, the band’s original frontman, became a solo icon after 1979, blending dark theatrics with vulnerable melody on hits like “Crazy Train.” Infamous yet oddly endearing, he’s the Prince of Darkness with a human core—chaotic, funny, and surprisingly tender beneath the bats and headlines that shaped rock history forever worldwide.

Rising from the Isle of Wight, Coach Party are one of the UK's most exciting indie rock bands. Formed in 2019, they quickly gained attention with sharp guitars, punchy rhythms, and bold lyricism. Their 2023 debut album "Killjoy" cemented their reputation, earning critical praise and BBC Radio 1 support. They've toured with acts like Wet Leg and performed at major festivals including Reading & Leeds. Known for high-energy live shows, Coach Party deliver unforgettable performances that continue to win fans worldwide. Don't miss them live this season as they announce their latest headline show and new music era ahead.

FFO Yard Act, Shame, Carter USM

'Genuine contenders' Thats what Kerrang had to say about Aerial Salad's last album ROI 

Now, they're back with the Sequel ROI le herb'e  (King of the grass) 

They're often touted as one of the UKs most exciting live bands, generating utter chaos wherever they go. 

The Genre-blending, heavy hitting mould breakers are back out on tour across the UK and Mainland Europe this summer, before hitting the likes of Boomtown and Ynot festival later in festival season. 

Aerial salad are simply not a band to be missed. It's felt like they're on the edge of something special for a while, and they're looking to take us into their next era with a fast-paced, all killer EP to tie us over until their album is ready. 

They'll be excited to see you, get excited to see them x 

Frozemode is a London-based alternative rap trio who pride themselves on their hard-hitting bars, playful and inventive melodies and musical versatility. Down to earth and as raw as possible, writing about their personal experiences and struggles, with each track putting everything on the table and laying it bare. Made up of I.V.GATLIN, Lisong and Cho-Hollo, the trio naturally bring a different look, personality and sound to the table.

Legends of the UK live scene, there’s not many festivals or indeed towns that these boys haven’t played in the 34 years they’ve been together. In that time, they have released five albums, sold over 2 million records, been streamed over 50 million times worldwide, and 12 Top 40 singles, including the massive hit 'Good Enough' - officially one of the most played tracks on British radio in the last 30 years.

The recent Anniversary Tours of Dodgy’s classic albums, Free Peace Sweet - a fan favourite and deemed a classic album of the era, spawning hits such as ‘In A Room’, ‘If You’re Thinking Of Me’, ‘Found You’ and of course, ‘Good Enough’, and the hugely successful shows for Homegrown - 'Staying Out For The Summer', ‘So Let Me Go Far’, ‘Melodies Haunt You’ and the modern classic, ‘Grassman’- that culminated in unforgettable nights at Shepherds Bush Empire and The Forum, have seen the busiest years for the band since the crazy days of the mid 90’s.

Dodgy are a rare entity nowadays as the band still boast the original line up of Nigel Clark, Mathew Priest and Andy Miller, which is a miracle considering the scrapes and conditions they have been in over their career but they are better and more energized than ever, which is partly down to some clever signings over the years to add depth and beauty to their squad, with Stu Thoy on bass and multi-instrumentalist, Graham Mann. And it’s this line up that is currently in the studio in Wales working on the highly anticipated follow up to the critically acclaimed album What Are We Fighting For, that will be released at the start of 2026. Dodgy actually released their Ian Broudie produced debut album in 1993 before the whole Britpop phenomenon kicked off but by having a broader appeal and being blessed with being nimble and possessing great balance, the boys managed to surf that wave with alarming aplomb. Since then they have toured and played with everyone from The Who, Oasis, Blur and even The Jacksons. Dodgy’s legacy as one of the standout British bands of the 1990s remains intact and have become a cherished part of British musical history.

Bill Ryder-Jones is a quietly magnetic figure in British music—a composer of fragile beauty and emotional candour. Emerging from The Coral, he traded jangling indie for introspective solo work steeped in orchestration and melancholy. His songs feel like whispered confessions, blending classical flourishes with lo-fi intimacy. Albums such as “West Kirby County Primary” and “Yawn” reveal a man unafraid to explore vulnerability, grief, and humour in equal measure. Rooted in Merseyside, his music carries a coastal wistfulness—at once nostalgic and searching, like tides that never quite settle.

Bruce Springsteen, often dubbed "The Boss," is a legendary American rock musician renowned for his powerful voice, emotive songwriting, and electrifying live performances. His music, often reflecting blue-collar struggles and the American spirit, blends rock, folk, and soul influences. Springsteen's poignant lyrics and relatable storytelling resonate deeply with fans, capturing the essence of hope and hardship. With a career spanning over five decades, he has earned numerous accolades, including 20 Grammy Awards and an Academy Award. His work not only entertains but also engages with social issues, cementing his status as a cultural and musical icon. His music will be performed ny nationally renowned band Bruce Juice.

Big Truck is the sound of Laurie Vincent stepping into a different light. Known for the raw intensity of SOFT PLAY, here he trades abrasion for atmosphere - crafting songs that move between indie-pop melody, cinematic sweep, and offbeat charm. Formed alongside longtime friend Sam Coppins and a tight-knit group of players (Asa Thallon & Justin Myles), the band feels both instinctive and expansive. Their music blends jangled hooks reminiscent of The Cure and The Smiths with richer, widescreen textures, all anchored by lyrics that are candid, wry, and deeply human - balancing life’s small joys with its inevitable lows. Big Truck’s debut album is immediate and unpolished in the best way. It’s an album about acceptance of mistakes, of contradictions, of the messy middle ground, and the quiet confidence that comes with it.

John Otway remains one of Britain’s most enduring cult figures—an eccentric singer-songwriter whose career has thrived on near-misses and unwavering devotion. Bursting onto the scene in the late 1970s with the chaotic charm of his hit “Really Free,” he built a reputation not through chart dominance but through sheer persistence and theatrical unpredictability. Otway’s performances feel part comedy, part confession, delivered with a disarming sincerity that keeps audiences fiercely loyal. His self-proclaimed status as “rock and roll’s greatest failure” only strengthened his legend, turning setbacks into mythology. Decades on, he stands as a testament to resilience, originality, and unapologetic enthusiasm.

Buzzcocks remain one of the most influential and enduring bands to emerge from the UK punk explosion. Formed in Manchester in 1976, the band helped shape independent music with their self released Spiral Scratch EP and a run of timeless singles including Ever Fallen in Love, Promises and Harmony in My Head. Known for blending punk energy with sharp melodies and thoughtful lyrics, Buzzcocks continue to inspire generations of artists and fans alike. Fronted by founding member Steve Diggle, their electrifying live shows prove the band are as vital as ever, delivering classic songs and new material with the same passion and attitude that defined their legacy.

Utah Saints have been making music, DJ’ing and playing gigs around the globe since the birth of House Music. The world renowned duo have released 9 Top 40 UK hits, 4 of which hit the Top 10, and sold over 2 million records worldwide (equivalent to 800m+ streams).Precariously walking the tightrope between genres and also between the underground and mainstream, Utah Saints roots are firmly in electronic dance music.  Having met in a club in Leeds at the beginning of the rave movement in the UK, they’ve subsequently established themselves as pioneers of sampling in dance music. Alongside this success, they set up and promoted award winning and legendary club nights The Gallery and Sugar Beat Club in Leeds with residencies also in Edinburgh and London. They have recorded and presented shows for BBC Radio 1, Kiss and Ministry of Sound. Utah Saints are still very much at the top of their game, DJ’ing regularly each month as well as curating festival stages such as Beatherder – putting on an eclectic range of artists and DJ’s. They have played alongside diverse artists from DJ Zinc to Justice, Zane Lowe to A-Trak, Friendly Fires to Boys Noize and U2 to Public Enemy. They have DJ’d and played at over 3000 events from underground clubs to festival mainstages, including supporting U2 on the Zooropa stadium tour. Their collaborations have been as eclectic as the music they create.  From sampling to the production and writing of tracks with artists including Michael Stipe from REM, Kate Bush, Annie Lennox, Edwin Starr, Chuck D (Public Enemy), Terrorvision, Arthur Baker, Annabella Lwin (Bow Wow Wow), Drumsound and Bassline Smith to name a few.

Dub Pistols are a British genre-blending collective known for fusing dub, ska, hip-hop, and electronic energy into explosive live shows and festival anthems. Formed in the mid-1990s, the band earned acclaim for their brass-driven grooves, collaborative spirit, and socially conscious swagger. At the center is founder Barry Ashworth, whose long DJ career shaped the group’s musical DNA. Ashworth’s sets, celebrated for eclecticism and party-starting flair, helped him build a reputation as a tireless ambassador of rave culture. His DJ roots continue to inform Dub Pistols’ evolving sound, keeping the project vibrant, adventurous, and relentlessly crowd-focused around the world today still.

Transatlantic indie duo Prima Queen - Louise Macphail and Kristin McFadden - craft emotive, melody-driven songs rooted in friendship, storytelling, and empowerment. Their debut album The Prize blends shimmering pop sensibilities with heartfelt lyricism, drawing comparisons to artists like Haim and Jenny Lewis.

Built on their close creative connection, their music captures both vulnerability and strength, shaped by the energy of their live shows. New single ‘Ugly’ explores the aftermath of an imbalanced relationship, balancing honesty with rich, expressive sound.

With a growing reputation for compelling performances, Prima Queen continue to carve out a distinct and resonant voice.

Danny and the Champions of the World deliver a heart-lifting blend of Americana, soul, and roots rock, led by the charismatic Danny George Wilson. Renowned for their electrifying live shows, they’ve built a devoted following through relentless touring and joyous, communal performances. Their breakthrough album Stay True won Album of the Year at the UK Americana Music Association Awards, cementing their reputation as one of the UK’s finest roots acts. Expect soaring melodies, rich brass, and an unforgettable, feel-good atmosphere that turns every show into a celebration.

Placebo reshaped alternative rock by pairing androgynous aesthetics with raw, confessional songwriting. Their music gave voice to outsiders, exploring identity, sexuality, addiction, and alienation with unflinching honesty. Songs like “Nancy Boy” and “Running Up That Hill” blended glam, punk, and electronic textures, influencing a generation of artists and fans. Frontman Brian Molko’s distinctive voice and lyrical vulnerability fostered deep emotional connections, particularly among marginalized listeners. Across decades, Placebo’s sound evolved yet remained intimate, proving that dark, personal narratives can resonate universally and endure within popular culture while continuing to inspire authenticity and compassion in contemporary music communities worldwide today everywhere.

Crystal Tides are an electrifying indie rock band from the coastal city of Portsmouth, United Kingdom. Formed in the vibrant music scene of this historic naval town, the band has quickly captivated audiences with their catchy melodies, lively performances, and heartfelt lyrics. With multiple sold-out shows and successful UK tours under their belt, Crystal Tides have established themselves as one of the most exciting rising forces in the UK indie landscape.

Following the success of their 2024 EP The Middle, Crystal Tides now step into a defining new chapter with the release of their long-awaited debut album Toothpaste, and their biggest headline tour to date in 2026. The band sold out Portsmouth Guildhall in just six days and are set to take Toothpaste to fans across the UK with a high-energy, emotionally charged live show.

Their rise has been amplified by significant support from BBC Radio 1, BBC 6 Music, Radio X, and Virgin Radio UK, alongside playlist placements across Spotify, Apple Music and Amazon. Their tracks have also featured in hit TV shows including Waterloo Road, Made in Chelsea and This Morning, and they’ve appeared on BBC 5 Live, ITV News, and BBC South Today.

Crystal Tides’ growing presence in national radio continues to surge, with Alyx Holcombe (BBC Radio 1) praising the band saying "It's really giving alt-indie meets pop, this is Down". John Kennedy (Radio X) has also championed the band on his show, describing them as: "Putting on an incredible show and having best trousers in the business" as well as saying "It looks like 2026 is going to be their year putting Portsmouth on the rock map"

Keep your eyes on Crystal Tides - this is only the beginning.

From July to October 2026, When Rivers Meet return to the stage with the Rhythm Rust & Static Tour, following the release of their brand-new studio album Rhythm Rust & Static, out in spring 2026. Recorded with an intentionally stripped-back, analogue-inspired approach,

Rhythm Rust & Static captures the raw essence of When Rivers Meet, intimate, gritty, and emotionally charged. The tour reflects that same spirit: a smaller, more focused on-stage setup, delivering a huge, immersive sound that puts songwriting, feel, and connection at the heart of the show.

Audiences can expect to hear all ten tracks from the new album performed live, alongside a carefully chosen selection of favourites from the When Rivers Meet back catalogue. Across this 14-date UK tour, each night promises a powerful, close-quarters experience.

On stage, When Rivers Meet remain exactly what they have always been: Grace & Aaron Bond. They are joined by long-time collaborator James Fox, adding depth and texture through percussion, guitar, and backing vocals. With three musicians on stage, the sound is expansive and full-bodied.

Fresh from a run of remarkable chart success including a Top 10 Official UK Albums Chart entry with Aces Are High and a #4 Official UK Albums Chart with Addicted To You, alongside multiple Official UK #1 positions across genre and format charts, When Rivers Meet continue to prove that independence and ambition can go hand in hand.

The Felice Brothers unveil Valley of Abandoned Songs, a deeply personal, beautifully unvarnished collection drawn from lost demos and sessions for Undress (2019) and Asylum On The Hill (2023), recorded live in an 1870s church. The album walks a tightrope between wonder and impending doom, tracing misfits, drifters, and dreamers through themes of mortality, love, and faith. Rooted in Hudson Valley folk tradition yet fearless in scope, it captures the band’s raw intimacy, literary depth, and enduring search for meaning.

Jaguar Skills is a powerhouse DJ and producer known for his genre-blending mastery, electrifying both the electronic dance music and drum & bass scenes.
With a career spanning over two decades, he’s a festival favorite, lighting up Glastonbury, Creamfields, and Reading and Leeds. He’s held residencies from Pacha Ibiza to Womb Tokyo, bringing his unique mix of electronic beats, hip-hop, and drum & bass to global audiences. A Gold Sony Award winner and a fixture on Radio 1 and Capital Xtra, he’s released music on Sony, Viper, and his own NOPE23 label. Known for blending dance floor energy with the intensity of drum & bass, Jaguar Skills is, as Zane Lowe put it, “in my top 3 DJs.” He’s a true pioneer who always rocks the party.

As a band, The Smiths need no introduction. Formed in 1982 and disbanded in 1987, all five of their studio albums reached the top five in the UK charts. They are widely lauded as one of the most influential bands of all time. 

To celebrate the publication of his memoir detailing these years, drummer Mike Joyce will be heading out this November for a series of special events, to share an open-hearted story of what it was like to play the drums in The Smiths. 

About the author Mike Joyce is an esteemed English drummer who has played with Sinead O’Connor, Public Image Ltd, Buzzcocks, Suede, Julian Cope, Pete Wylie and most recently has been occupying the drum seat with Peter Doherty, as well as being a member of The Smiths for the entire duration of the lifetime of the band. Mike also has a successful DJ career playing clubs worldwide. 

Tap into a rare groove as the UK dance scene pioneer and Notting Hill Carnival legend come to the venue this Christmas and plays tracks that shaped UK music. One of the most respected DJs in the world today, Jay is a hallowed name in the UK dance music scene. As the co-founder of dance music station KISS FM and the iconic Good Times sound system, and the driving force behind the rare groove scene of the 1990s, Jay’s four-decade career has seen him continuously pushing the boundaries of the UK’s club culture. 

After years of spinning the wheels of the Good Times Fun Bus at Notting Hill Carnival, his signature sounds are transported to the decks of the Royal Festival Hall for a legendary Good Times party. Spinning tunes that span multiple genres and cultures, with exciting new sounds alongside the iconic beats that made these artists legends, this electrifying event is a chance to see a lineup of UK musical icons on one stage, and promises serious Good Times all round.

The Boileroom presents a celebration of Nirvana: 35 Years of Never Mind, performed by Nirvanah. 

Seattle’s own Nirvana remains one of the most influential rock bands of the late 20th century, spearheading the grunge movement that redefined popular music. Fronted by Kurt Cobain, alongside Krist Novoselic and Dave Grohl, the trio blended raw emotion with punk urgency and melodic hooks. Their 1991 album Nevermind catapulted them from underground heroes to global icons, fueled by the breakout single “Smells Like Teen Spirit.” The band’s meteoric rise and Cobain’s tragic death in 1994 cemented their legacy as cultural touchstones. In 2026, Nevermind will mark its 35th anniversary, a testament to its enduring power and generational impact.

“If you really want it you won’t need persuading,” sing The Jacques on ‘Nothing Amazing’, the laissez-faire but euphoric closer to the London via Bristol trio’s second album ‘Make Repetition’ – a fitting ode to “coming back stronger now, carrying on”. It’s a mantra they know all too well. For a band so young in their years, The Jacques have been through more than most: meeting their heroes, the death of a band mate and best friend, recovery from crippling addiction, a dream tour torpedoed, then returning with their strongest work to date. The story of The Jacques is one of resilience and togetherness.

Liverpool-based indie band The Sukis blend raw guitar energy with punchy, melodic hooks. Drawing influence from early 2000s indie and modern alternative, their sound captures youthful chaos, sharp lyricism, and high-energy live performance.

Glasgow-based alt-pop trio Pistol Daisys are an emotionally charged new force emerging from Scotland’s music scene. Fronted by Lorna Lynne alongside drummer and producer Lewis Kelly, the band blend gritty Glaswegian energy with shimmering synths, dancefloor grooves, and confessional storytelling.

Eminem, born Marshall Bruce Mathers III, is a lyrical powerhouse who transformed hip-hop with raw honesty and razor-sharp wordplay. Rising from Detroit’s struggles, he broke barriers with his alter ego Slim Shady, blending dark humor, emotional depth, and ferocious delivery. His storytelling dives into pain, triumph, and rebellion, making him both controversial and iconic. With hits like Lose Yourself and Stan, he became a global voice for resilience and authenticity. Eminem’s speed, precision, and unapologetic truth cement him as one of rap’s greatest innovators—an unstoppable force who turned personal battles into anthems that ignite millions worldwide.

For a decade and a half, Grace Petrie has been one of the UK’s most urgent and passionate songwriters. Coming of age amidst the coalition government, her politically charged folk music quickly gained national attention and propelled her to the main stages of folk festivals from Cambridge to Vancouver to the Blue Mountains of Australia. Characterised by razor-sharp lyricism and the unmistakeable passion of her stage presence, her live shows have become synonymous for fans with a unique atmosphere of hope and solidarity, with LGBTQ anthem Black Tie racking up 1.5 million streams and providing a soundtrack of expression for young queer folks all over the world.

 An irrepressible live performer, Grace has toured relentlessly to build loyal audiences in the UK, Australia, New Zealand and Canada, as well as providing tour support for Billy Bragg, Frank Turner and Emmy-winner Hannah Gadsby. She has appeared on ITVX, Channel 4, Sky Arts, BBC Radio 2’s Folk Show and been a regular guest on The Guilty Feminist podcast, and performed live BBC sessions for Tom Robinson (6music) and Jo Whiley (Radio 2). The release of 2024’s Build Something Better, produced by Frank Turner, topped the UK folk chart and cemented her place as one of Britain’s most respected independent artists. 

In 2026 she is exploring the stripped back nature of folk songwriting once again, performing a show of two halves that encompasses both an intimate solo set, and a career-retrospective full band performance featuring songs from across her sixteen-year catalogue.

Man/Woman/Chainsaw are a London-based six-piece emerging as one of the UK’s most exciting new art-punk bands. Formed by friends Billy Ward and Vera Leppänen at just 16, the group blend chaotic energy, sharp lyricism and ambitious songwriting into a distinctive, genre-bending sound. Now signed to Fiction Records, their recent singles “Only Girl” and “Adam & Steve” have received BBC 6 Music playlist support and widespread praise from outlets including The Guardian, NME and Stereogum. Known for their explosive live shows and theatrical arrangements, the band continue to build momentum ahead of their debut album, with a growing reputation as one of the most compelling new acts on the UK alternative scene.‍

James Lavelle, a visionary figure in the electronic music scene, epitomizes creativity and collaboration. As the founder of Mo' Wax Records, he shaped the landscape of trip-hop and experimental sound in the 90s, showcasing acts like DJ Shadow. Lavelle's brainchild project, UNKLE, became a sonic voyage, blending genres and talents, collaborating with icons such as Thom Yorke Josh Homme, Ian Brown and Richard Ashcroft. His ethos extends beyond music, encompassing art and fashion, evidenced by his involvement in projects like the Meltdown Festival. Lavelle's pioneering spirit continues to influence generations, leaving an indelible mark on the intersection of music and culture.

Duke Special, stage name of Belfast-born musician Peter Wilson, is a Northern Irish singer-songwriter known for theatrical piano pop blending cabaret, folk, and rock. Performing in bowler hats and waistcoats, he built a devoted following with emotionally rich storytelling and vintage flair. His breakthrough album Songs from the Deep Forest (2006) reached the UK Top 40 and earned nominations at the Meteor Music Awards. He later released I Never Thought This Day Would Come (2008) and collaborated with orchestras, theatre projects, and poets. Special has written stage works, including musical adaptations of Huckleberry Finn, and remains admired for live performances.

General Levy was born in Central Middlesex Hospital in Park Royal, London on 28 April 1971. He is of Trinidadian descent. Levy’s formative years were spent in Harlesden and Wembley in the London Borough of Brent in northwest London. Levy’s musical influence was developed in the area, collecting dancehall tapes, beginning in 1981. At the age of 12, General Levy began writing lyrics and went on to form his first sound system with friends, two years later, named Third Dimension.

General Levy’s first major releases were with the independent record label Fashion Records, who signed a distribution deal with London Records for the re-releases of the tracks he had recorded. He had earlier releases with the record producers Lloydy Crucial and Robbo Ranx (later of BBC 1xtra), but these were mainly tracks that were hits on the underground dancehall scene. General Levy was ostracized by the UK jungle scene in 1994, due to mis-reported comments he made relating to his collaboration with M-Beat on “Incredible”. He had claimed in an interview with The Face that “I run jungle at the moment”. This controversy has since died down and he is now being cited as one of the 25 UK MCs “who changed the game”.

“Incredible” was featured in the film Ali G Indahouse, and as a TV advertising campaign by Honda. General Levy briefly collaborated with Rocco Barker of Flesh for Lulu in the band The Space Police. Levy also featured on the song “Only God Can Judge Me” by R&B singer Mark Morrison.

Levy featured on many sound systems in the late 1980s and early 1990s, such as Java One love and Tippertone Sound.

His collaborations with dub producer Joe Ariwa appear on several releases including “In the Ghetto” and “Be Conscious & Wise: Dub Showcase”. Levy’s latest release with Joe is a Dancehall remix of Champagne Body.

In 2026, China Crisis invite you to step into the next chapter of their story with their Warped 2026 tour, a journey through over four decades of innovative pop brilliance. Since their early 80’s breakthrough from Liverpool’s renown music scene, Gary Daly and Eddie Lundon have distinguished themselves with sound that is both instantly recognizable and constantly evolving.

Their sophisticated yet irresistibly catchy style of pop - blending everything from synths to soul and unexpected textures - produced beloved hits like “Wishful Thinking”, “African and White”, and “Arizona Sky” , and they continue to push forward now with fresh projects that highlight their adventurous songwriting and professional artistry. The band’s latest works, including their acclaimed Autumn in the Neighbourhood and China Greatness albums, prove their music shines brighter than ever, reaffirming their place as pioneers, innovators, and creators of timeless songs.

On stage, China Crisis remain true originals: blending classic songs, new work, and the humor and heart that make every performance unforgettable. The Warped 2026 tour is not just a celebration of their past—it’s a testament to a band still in full creative stride.

A celebration of one of the most influential bands in British music, this special night marks 40 years of The Queen Is Dead with a powerful live tribute from These Smiths. Capturing the wit, melancholy, and unmistakable sound that defined a generation, the band brings the spirit of The Smiths to life with precision and passion. Expect all the classics, deep cuts, and a room full of people who still find meaning in every lyric.

Republica is a British electronic rock band formed in London in the 1990s, fronted by charismatic vocalist Saffron. Blending techno, punk energy, and industrial beats, they became synonymous with the explosive sound of the era’s alternative club scene. Their breakout single “Ready to Go” delivered pounding rhythms and anthemic vocals, gaining international attention and heavy radio play. The group’s self-titled debut album captured a bold, futuristic attitude that still resonates today. As fans celebrate the 30th anniversary of Ready to Go, Republica’s influence on crossover electronic rock remains vibrant and unmistakably iconic. Their legacy continues to inspire new generations worldwide.

Red Hot Chili Peppers are an American rock band known for blending funk, punk, and alternative rock. Formed in Los Angeles, they gained worldwide fame with energetic performances and charismatic frontman Anthony Kiedis. Their 1991 album Blood Sugar Sex Magik marked a turning point, produced by Rick Rubin and featuring hits like "Under the Bridge" and "Give It Away." The record balanced raw funk grooves with introspective lyrics, establishing their mainstream success and enduring influence on modern rock music. Their chemistry and experimentation helped redefine the genre, inspiring countless artists and securing their legacy as innovators in contemporary music history.

Performed by Really Hot Chili Peppers! 

Matthew and the Atlas is the project of Hampshire-based songwriter Matt Hegarty - one of the first artists signed to Communion Records. Over fifteen years and seven albums, he has traversed a range of musical territories from classic acoustic folk to synth-laden electronica and guitar-led alt-rock, touring extensively across the UK, Europe and the US with the likes of Mumford & Sons, Bear's Den and The Civil Wars, and earning the tag "British Bon Iver" from Q Magazine along the way.

Temple was recorded in Nashville in 2015 with production duo Foreign Fields and released in April 2016, producing fan favourite Elijah. Later that year, Hegarty headed back into the studio with the rest of the band and producer Ian Grimble to rework the songs using the instruments they had - acoustic guitar, harp, clarinet, banjo, piano and double bass. Temple Unplugged came out quietly in December 2016 and found an audience Hegarty hadn't expected - over the years it has become the record fans mention most at shows.

This autumn, Hegarty heads out as a three-piece alongside longtime collaborators Emma Gatrill and Alex Roberts to celebrate the tenth anniversary of both records — a rare chance to hear Temple Unplugged performed from start to finish, in the intimate spirit in which it was originally made, alongside favourites from across the MATA catalogue.

"A very rare talent." - Clash

Blending roots, folk, soul, Americana, jazz, blues and pop, the record offers both sanctuary and encouragement. It features the powerful BBC Introducing supported singles already released: the anthemic ‘One Of Us’; the soul-soothing ‘Rainbow’; and the retro-infused, inspired pop of ‘Sober’, as championed by Cerys Matthews on BBC Radio 6 Music.

The album explores themes of self-expression, emotional resilience, mental wellness, and personal evolution, anchored by her distinctive, soothing yet powerful voice and a unique blend of heartfelt storytelling, uplifting melodies, and genre fluidity. ‘Identity’ is about being seen, being heard, and discovering the freedom that comes with fully inhabiting who you are. It is a soulful exploration of self-love: an invitation to celebrate and accept ourselves, and each other.

Lady Nade writes with honesty and vulnerability, balancing emotional depth with warmth, positivity and hope. While her songs are often uplifting and joyful, there is always authenticity at their core, rooted in lived experience and a belief in music as a powerful force for connection, compassion and healing. - Americana UK

Lady Nade will bring ‘Identity’ to life in a series of intimate live shows, accompanied by a six-piece band of some of the UK’s finest musicians. These performances are designed to be emotionally immersive, offering a space for connection, reflection, and shared experience.

After recently stepping out with his debut solo single “When You’re Young”, Dave McCabe is heading back on the road this November for a run of UK dates, joined once again by special guest, James Jay Lewis.

Best known as the voice and songwriter behind The Zutons, McCabe’s move into solo territory has already made a strong impression. “When You’re Young”  has been tremendously well received and already a firm live favourite. 

Earlier this year, McCabe and Lewis played a run of shows together that quickly gathered momentum, with packed rooms and a great response night after night. This new tour builds on that, taking them to more venues across the UK through November and into December.

McCabe’s set draws from material throughout his rich writing career, from Zutons classics, to songs he wrote for other artists and glimpses of his new music, the second of which will be released in advance of the tour. 

Jay Lewis is a perfect fit for the bill. A Liverpool-born multi-instrumentalist, he’s worked with Cast and The La's over the years, and has been steadily building his own solo following. With songs that carry a classic, melodic British song writing style, and his outstanding musicianship, the two team up together both on their own and each other’s music. 

The tour kicks off in Barnoldswick on November 5th and wraps up in Liverpool in mid-December, taking in stops in Birmingham, London, Glasgow and more along the way.

The Cureheads are a long-running band, formed in 1990, dedicated to recreating the look, sound, and atmosphere of The Cure's mid-to-late 1980s concerts, with members adopting stage names like Rabbit Schmidt (Robert Smith) and Simone Gulp (Simon Gallup). Originally called "Fat Bob & The Cureheads," they tour globally, covering The Cure's career-spanning hits while delivering an authentic goth/new wave concert experience, even releasing original music alongside their Cure performances. 

The UK's original Hip Hop Karaoke is a true London and national fixture and for the last decade DJs Rob Pursey, Jimmy Plates and host Bobby Champagne Jr. have helped thousands of people live out their rap fantasies!

With hundreds of songs to choose from, this is the public's chance to experience what it's like to feel real crowd energy as they take on the rhymes of their favourite rappers at a major festival. Whether it's old school gems from the '80s and '90s or the latest records from Drake, Nicki and Kendrick, Hip Hop Karaoke is the place to let go of all inhibitions and feel the exhilaration of smashing it live on stage!

Hip Hop Karaoke is a euphoric, addictive experience and definitely something to cross off the bucket-list.

Having started beatboxing at the age of 3, and writing a symphony for his school orchestra at the age of 9, the advent of Youtube saw Beardyman, aka Darren Foreman, become an internet phenomenon racking up over 50 million views on Socials.

Since then, the multi-vocalist has been headlining shows and playing festival stages and venues all over the world. Over the years he has collaborated with the likes of Groove Armada, Herbie Hancock, Tim Minchin, Peter Serafinowicz, Shaun Keavney, Daniel Sloss, Joe Rogan, Reggie Watts, Jack Black, 3x World DMC champion DJ JFB, Tom Scott, to name but a few.

 He penned the pivotal EDM track “Eat, Sleep, Rave, Repeat” in collaboration with Norman Cook and Calvin Harris, which reached No 1 in multiple countries, performed a leading spot at the BBC Proms, has repeatedly sold out the largest venues at the Edinburgh Comedy Festival year after year, scored the music for multiple high profile TV ad campaigns and TV shows, voiced lead characters in multiple cartoon TV series, has been a regular contributor to Radio 4’s Now Show, writing and performing satirical songs, and performed spots on multiple mainstream TV and Radio shows around the world and a TED talk about his journey creating the game-changing software solution he developed with some of the best programmers in the industry to do what he does, has inspired a generation of beatboxers and live loopers, acting as a judge in the prestigious worldwide SBX Grand Beatbox Battle.

 His immersive 360 degree audio-visual piece “We Wanna Be” can be viewed at the prestigious new ITEC space in immersive Soundscape spatial audio at London’s Science museum, and his new immersive, cinematic, concept album, Kings Without Kingdoms with Emmy Nominated Cellist and composer Rob Lewis is out now. 

Buena Vista Social Club rekindled global interest in traditional Cuban son, bolero, and danzón, transforming veteran musicians into international icons. The 1997 album Buena Vista Social Club and subsequent film introduced audiences to artists like Compay Segundo, Ibrahim Ferrer, and Omara Portuondo, preserving repertoire that might have been lost. Their warm, acoustic sound, intergenerational storytelling, and effortless virtuosity bridged cultures, inspiring revivals of roots music worldwide. They reshaped the world music market, proving authenticity could achieve mainstream success, while celebrating Cuban identity, history, and resilience through songs that feel timeless, intimate, and joyfully communal, and connecting generations across continents today.

FFO REM, WIlco, Pearl Jam

R.E.M. emerged from Athens, Georgia, sounding like a whispered secret that somehow filled stadiums. Led by Michael Stipe’s elliptical lyrics and earnest mumble, the band fused jangly guitars, folk melancholy, punk urgency, and intellectual curiosity. They wrote songs that felt private yet political, dreamy yet grounded, inviting listeners to search for meaning rather than handing it over. From college-radio obscurity to global influence, R.E.M. proved alternative music could be humane, literate, and hugely popular without losing its soul. Their legacy echoes in countless bands who learned that mystery, melody, and conviction could coexist—quiet rebellion disguised as pop brilliance forever. Join us as the band STIPE perform their songs as we celebrate one of the most important bands in the world

For Ariel Posen, songwriting and guitar playing have always gone hand-in-hand. He's spent a decade building a bridge between those two worlds, balancing his work as a hotshot instrumentalist — including collaborations with everyone from John Mayer to Tom Jones — with solo albums rooted in melody and autobiographical storytelling. The result is a career that's every bit as diverse as his music. With performances at Eric Clapton's Crossroads Guitar Festival, his own Fender Stratocaster signature model, and a powerful voice that matches his fretwork, Posen explores uncharted territory, blurring the lines between genre and generation along the way. 

On his latest release, Bannatyne, that exploration leads Posen back to the place where everything began. Named after an avenue in his hometown of Winnipeg, Manitoba, it's a record about reexamining one's past in order to fully appreciate the present. Woven into the album's 12 songs are larger-than-life riffs and upbeat tempos (a nod to the 1990s rock music that soundtracked Posen's childhood), along with the syncopated grooves and explorative, unexpected textures that have always steered his work. Equally influenced by the raw energy of his live shows — where Posen has been known to plug in and stretch out, showcasing the chops that prompted Rolling Stone to call him "a modern-day guitar hero" — and the tight craft of his songwriting, Bannatyne is a full-circle snapshot of an artist in evolution, chasing down new horizons while still honouring his musical roots. 

"This is an album about coming home," says Posen, who played guitar for hometown pals, The Bros. Landreth — earning a Juno Award along the way — before launching his solo career with the critically-celebrated debut How Long. "It's about looking back and appreciating where you come from, even as you're heading somewhere new." 

"Heading somewhere new" has been Posen's focus for years, ever since How Long introduced his blend of soulful rock & roll, R&B, and amplified Americana in 2019. Follow-up releases like Headway and Reasons Why widened that sound considerably, while the Mile End project — a trio of records filled with improvised guitar instrumentals — highlighted a different form of expression. Bannatyne covers new ground, too. There are appearances by fellow Canadian exports City and Colour (who appears on the gritty, grooving "Empty-Handed") and Kathleen Edwards (who shares vocal duties with Posen on the sparse, slow-burning love song "More Me With You"). There are seize-the-day anthems like "Future Present Tense," punctuated by layered harmonies and bursts of fuzz guitar. There are alternate guitar tunings, smoothly-sung vocals, and lyrics about the homes we all leave behind, delivered by a road warrior who's been carving out his signature sound with every album. It's a powerful mix, and while Posen has never been shy about honouring his influences, the album simply sounds like him.

"Every record is the sound of me finding myself, more and more," he says. "I'm not just a songwriter and I'm not just a guitarist. I'm both of those things. I'm taking these worlds that I feel very connected to, and I'm combining them together, leaning in either direction whenever I want. With Bannatyne, the idea was to be a little dirtier, rawer, and unpolished in my performances. I didn't worry about chasing absolute perfection and cleanliness. I just stuck with whatever felt right."

Co-produced by Posen and longtime collaborator Murray Pulver, Bannatyne certainly feels right. This is Posen's unique vision of electrified roots music: song-driven, fretwork-fueled, and unmistakably his own.

Pulp are one of Britain’s most distinctive bands, blending sharp social observation with infectious melodies and a flair for storytelling. Emerging from Sheffield, they rose to prominence during the 1990s with a sound that captured everyday life with wit, drama, and honesty. Fronted by the charismatic Jarvis Cocker, their music moves between glamorous escapism and grounded realism, creating songs that feel both personal and universal. Known for their iconic anthems and stylish stage presence, Pulp continue to resonate across generations. This show performed by Common People celebrates their enduring influence and the spirit of a band that turned ordinary moments into something unforgettable.